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Cano Pro Photo Solutions Show

London, The Business Design Centre, October 26th & 27th

Fecha: 21/10/2010

Rycote’s USM supports Myanmar orphans in Thai charity appeal

Rycote Makes First Donation From USM Sales To Future Light Children's Home

Fecha: 16/10/2010

New face for UK Sales & Business Development at Rycote

Tim Constable Settles In As Rycote's UK Sales Manager

Fecha: 16/10/2010

Rycote launch new Lightwave Boom Pole

1.6-metre A-3 Pole Is The Baby Of The Lightwave Range

Fecha: 16/10/2010

Introducing Rycote’s new Stereo Suspensions

More Efficient, More Robust Lyre Clips Debut In Rycote's Redesigned Stereo Suspension Range

Fecha: 16/10/2010

Sound with Vision

Fixing poor-quality audio in post can be a difficult and costly business. So what can be done to reduce the problem before it gets to that stage? Adrian Pennington asks the experts. Poor-quality audio is often reason enough for viewers to change channel, yet cheap-sounding soundtracks are commonly caused by basic production errors that could have been avoided. Tight budgets and a lack of training are often to blame for the mistakes, which can cause longer post times, increase costs and compromise creativity, when in most cases they would not have occurred if just a little more attention had been paid. With the fidelity of TV sets sharpening and the demand for 5.1 surround sound increasing, producers can't afford to ignore the impact of bad audio on a viewer's experience.

Fecha: 02/09/2010
Categoría: Industry News